O’Keeffe in Chicago – Jugendstil and the European avantgarde
Even if O’Keeffe wasn’t helped by Paris, there were other possibilities for her to develop a modernistic eye. In the years 1905-06 she studied art in Chicago, one of the large centers of Arts & Crafts in America.
As an embroidery designer in the windy city in 1908-10, she must have at least noticed jugend artist Hermann Obrist‘s Whiplash, often reproduced in American magazines. The important magazine Dekorative Kunst, published in Munich, she might have read in some of the large art libraries in Chicago. Other art magazines worth mentioning are L’Art Décoratif, Deutsche Kunst und Dekoration, Gazette des Beaux-Arts, Pan and Studio, all publishing works of artists and art critics from all over Europe, seething with spirituality and culture at the time around the turn of the century.
These Chicago years made O’Keeffe aware of the Jugendstil, or Art Nouveau – the French term, which according to Peters was supposed to represent man’s more noble qualities and aspirations.
Kandinsky had his artistic roots in the Jugendstil movement of Munich, and his philosophical roots were a mix of theosophy and a private spiritual vision for the future of mankind.
It seems that young Georgia, would be well equipped for what was to come her way.
Books and links
More art from the time period in Chicago: Frank Lloyd Wright.
Reassessing the Wright stuff: New appreciation for a great architect’s domestic interiors
Is it time for a Neo Art Noveau? The Chicago Art Blog investigated in August 2008.
Republished by Old Post Promoter
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